Section Presidents
IVS Sections
Australia &
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After several years as a chorister at secondary school I decided to learn to play an instrument so I could join my musical friends playing in the school orchestra or having fun with chamber music. The viola was my instrument of choice so I am a true violist.
At university I studied Chemistry and Mathematics resulting in a career as a Science Teacher but I was always involved taking part in and/or conducting school choirs, orchestras and productions. Life took another turn with marriage, family and business. During these years I was very involved in School management including 9 years chairing parent governed School Boards and did not play at all. After ten years, I started to play again and joined The Auckland Symphony Orchestra in 1986 and am still an active playing member. I also enjoy participating in chamber music groups regularly. As my family grew up I became more involved with music organizations firstly as Treasurer of the Auckland Branch of STANZA and secondly was elected as Vice President of ANZVS in 2005. Due to the resignation of Robert Harris, the President, for personal reasons of health and work I stepped into that role in 2006. |
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Brazil
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Carlos Aleixo is a professor of Viola of the Federal University of Minas Gerias. Carlos finished his Masters degree in the United States in 1995 at Shenandoah University. In May of 2006, as scholarship holder of the CASTRATE/Ministry of Education and Culture, finished his DMA. During this period, he was also the student of Jan Wagner. As a concerto soloist, he has appeared with the Universidad de Minas Gerias Orchestra, the Fairfax Simphony Orchestra, and the Orchestra Sinfonica National of the Theater Claudio Santoro/Brasilia. Carlos has often presented various chamber music in the concert halls in the city of Bello Horizonte and throughout Brazil. With the pianist and professor Cenira Schreiber, he has formed the Duo VIOLiPiANO, that maintains intense chamber music schedule, presenting recitals of the various viola repertoire of Latin-American composers.
Carlos has taught as various festivals in Brazil and in 2004, he was an artist invited to participate of the Shenandoah Summer Music Festival. During this period presented recitals of Viola and Piano in Washington, DC (Brazilian American Cultural Institute) and concert halls in the State of Virginia. In January of 2007, Carlos was the professor of viola of the International Course of Verao of Brasilia (CIVEBRA 2007). He later returned to Brazil, where he has resumed his teaching and performing duties at the Universidad de Minas Gerias. Carlos has studied with professors Kenneth Sarch, Tibor Vaghy, Csaba Ederlyi, Paul Cortese and Doris Lederer. |
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China
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Currently chair of the viola department at the Central Conservatory of Music in Beijing and president of the Chinese Viola Society, Wing Ho is regarded as one of the most influential and respected violists in China today. He has received numerous honors in China, including the National Teacher's Award in 2004, the 2005 China New Century Award, and in 2007, the Beijing Outstanding Music Teacher Award. Mr. Ho has edited and published over 100 volumes of viola literature and chamber music repertoire and his recordings on CD and video have secured worldwide distribution. He served as visiting professor at Yale University during the 2008-2009 academic year.
Mr. Ho is the artistic director and conductor of the 18 Plus Ensemble, National Prodigies Chamber Orchestra, Symphony Orchestra of Peking University and Beijing Viola Ensemble. Ensembles he has led have toured many countries including Spain, France, Italy, Germany, Austria, Japan, Korea, Thailand and the US, winning many competitions around the world and garnering praise by critics and colleagues. Mr. Ho received his master's degree from Yale University, majoring in violin, viola and conducting. He also studied at the Baroque Performance Institute in the Oberlin Conservatory of Music. His principal teachers have include Joseph Gingold, Ma Sihon, Walter Trampler, Leonard Mogill, Jesse Levine and Otto-Werner Mueller. |
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Canada
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A native of Vienna, Austria, Jutta holds a diploma with excellence from the Wiener Hochschüle für Musik und Darstellende Kunst, and a Masters of music from the Eastman School of Music in Rochester, NY, where she was a student and assistant of Heidi Castleman.
Jutta is a prize winner of the Helmut Wobich Gedächnispreis competition, of the Canada Council development grant, the Fullbright Award, the Alban Berg Foundation Award, the Rotary Club Award and an award from the Ministry of Science, Austria. While she was in Vienna, she was a member of the Vienna Radio Symphony Orchestra and the Wiener Nonett, touring most cities of Europe and Japan. Jutta has become very well known since her arrival in Canada in 1986. Her many concerts have been acclaimed by audiences and critics alike. She is principal viola of the Orchestre symphonique de Laval and of the orchestra of the Grand Ballets Canadiens. She is professeure adjointe for viola and string quartet at the Université de Montréal where she is also head of the string department since 2001. She also teaches at the Collège de Sherbrooke and at the Orford Arts Center. She likes to develop young students, give master classes and act as judge for national competitions and auditions. In 2003, she has been invited to give masterclasses at the Juilliard School of Music, New York City, and by her alma mater, the Wiener Hochschüle für Musik und Darstellende Kunst in Vienna. She is very busy as a chamber musician and a recitalist, touring several canadian provinces, the US and Austria, and performing with renowned artists such as Lorand Fenyves, Janos Starker, Angela Cheng, the Colorado String Quartet, the Fine Arts String Quartet, the Quatuor à cordes Alcan and others, at the major Canadian summer festivals. She is a founding member of the viola-piano Duo Puchhammer-Desjardins, the Trio à Cordes de Montréal, et she was a member of the Kegelstatt Trio and the Claudel String Quartet. She has recorded for the SNE, Analekta and UMMUS labels and has just recently released her first solo CD of unknown German romantic works "Viola - Romantic Fantasies" for the Eclecta label. Jutta was the artistic director ov the XXVII Viola Congress 2000 in Sweden, and 2003 in Germany. She often goes back to Austria where she gives recitals and chamber music concerts in her native Vienna (e.g. Schubertsaal, Konzerthaus Wien). |
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Finland
Max Savikangas |
Max Savikangas, composer and violist (b. 1969), received M.Mus. from the Sibelius Academy, Finland, in 1998 after completing studies in music theory, composition, viola performance and electroacoustic music. For several years now, Max has been working as a free composer, violist and lecturer. He has composed over 80 works of instrumental chamber music, vocal music, electroacoustic music and combinations of these. His largest work so far is the 7-hour electroacoustic sound installation entitled Hammer, Anvil, Stirrup (2005), which was nominated as one of the Finnish Composers' Copyright Society Teosto prise winner candidates in 2005. During the years 2007-2009 Max enjoyed the 2, 5-year State Grant for Artists for composing, awarded by by the Arts Council of Finland.
As violist Max is concentrated in contemporary chamber music. He is the founder member of the Uusinta Chamber Ensemble and also performs regurlarly with the Avanti! Chamber Orchestra. Abroad Max has performed in Sweden, Denmark, Norway, Iceland, Holland, Germany, France, Spain, United Kingdom, South Africa, and Australia in various concerts, tours, festivals and congresses. Max is the President of the Finnish Viola Society, member of the Society of Finnish Composers and the interdisciplinary artist association MUU. He was appointed as the executive secretary of the International Viola Society Presidency for the three-year term 2008-2010. In addition to composing and performing on the viola, Max has been involved in multi-disciplinary co-projects, often utilising technology. He is also very interested in developing the viola - Max plays on a viola model which he has been developing with the Finnish luthier Pekka Mikael Laine since 1998, utilising computer spectral analysis and new varnishing techniques. |
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France
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Son of violist Christos Michalakakos, who introduced him to the instrument, Michel Michalakakos also studied viola with Colette Lequien, Luigi Alberto Bianchi, and chamber music with Joseph Calvet.
He won First Prize Alto at the Paris Conservatory (1977). The following year he earned the CA of teaching. A member of the Orchestre National de France (1979-1984), he joined the String Trio of Paris in 1981, in which he played for 12 years, recording several records and creating many contemporary works. Soloist Michael Michalakakos is a guest of French and foreign orchestras and performs chamber music with pianist Mr. Gagnepain (with whom he recorded the Sonata for Viola and Piano by Charles Koechlin), but also with Mr. Arrignon, P. Fontanarosa, P. Welsh, G. Jarry, JJ Kantorow, Mr. Larrieux, D. Merlet, R. Pasquier, R. Pidoux, G. Chicken or P. Roge, and quartets Elysee, Manfred or Parisii. A professor at CNR Boulogne-Billancourt since 1990, Michael Michalakakos has taught Sight Reading (strings) since 1991 at CNSMDP. He also runs courses and master classes in viola and chamber music. Open to all music, he also participates in concerts of tango, jazz and traditional gypsy music. |
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Germany
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Karin Wolf studied Philosophy, German Literature and Musicscience, before she started to study Violin and Viola at the Universities of Music in Cologne, Bern and Berlin with Prof. Max Rostal and Prof. Bruno Giuranna.
Since 1985 she is the violist of the Verdi String Quartet, which she co-founded. With the quartet and also as a soloist she plays concerts all over the world and performs in international festivals such as Oregon Bach Festival, International Chamber Music Festival Seoul, Ludwigsburger Festspiele, Schwetzinger Festspiele. CD recordings with music by Brahms, Mozart, Schubert and others are released by Hänssler Classic. Since 2003 Karin Wolf and the Verdi Quartet is artistic director of the Festival "Vielsaitig" in Füssen, Karin Wolf is Professor for Viola and Chamber music at the Universities of Music in Rostock and in Mannheim |
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Iceland
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Sesselja Halldórsdóttir studied the viola in Tónlistarskólinn and Reykjavík with Ingvar Jónasson and started playing with Sinfóníuhljómsveit Ísland in 1971.
In 1973-75 she studied with Klaus Assmann at the Staatliche Hochschule für Musik, Heidelberg-Mannheim, and played also regularly with Staatliches Orchester Heidelberg. Sesselja has held a position in Sinfóníuhljómsveit Íslands since 1976. From 1980-81 she studied viola in Berlin with Wolfram Christ. Sesselja has played with Kammersveit Reykjavíkur, Nýja Strengjasveitin, Hljómsveit Íslensku Óperunnar, Kammersveit Langholtskirkju and is a keen string quartet player with Júlíkvartettinn. Sesselja was the co-host chair of the International Viola Congress in Reykjavík in 2005 with fellow violist of the Iceland Symphony Orchestra, Guôrún Þórarubsdóttir. |
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Nigeria
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Titus Ogunyemi started his career as violinist with Kehinde Davids (present concert master of MUSON symphony orchestra), with the help of his church's music director (Dr. Kola Sonaike) and church in early 80s and emerged as a violist. He has been a choir boy and was introduced to recorder, percussion instruments, piano and trumpet.
Even though his teacher encouraged him to consider the viola, as violists were very few at the time, Titus wanted to remain a violinist just like some of his colleagues because violin had gained more public awareness and due to his lack of information on the new treasure (viola). He said, "a violist might be considered to be an unsuccessful violinist looking for a hiding place" For someone like Titus who, up to that point, had been studying engineering (electrical/electronics), as he was able to fund himself to study viola abroad. "It was new and challenging to practice everyday along with studying engineering. I remember practicing till late in the night in the church as there was no quiet place with regular power supply. Titus gradually settled in, however, and, by the time he got used to the situation, he was practicing for up to four hours a day alone. His hard work paid off. In 2007, he was appointed principal violist in the MUSON Symphony Orchestra but still, Titus pushed himself to apply for music scholarship-a 2 year diploma course, proudly sponsored by MTN Foundation and supported by other donors, in collaboration with MUSON. "You don't apply for such academic program for pleasure or fun, but because you want to learn more from professionals and experienced teachers and other students". In mid 2009, he graduated from same institution with an Associate Diploma in Music, majoring on viola, under the tutelage of Mr. Amoah, a Ghanaian violinist. "Although, it was not very pleasing to me studying with a violinist because I really wanted a viola teacher that knows what is it to play viola, mentally, physically, musically and technically. But I have no option than to embraced the opportunity to learn music formally from experienced teachers (local and international)", he recalled In 2008, Titus' determination was rewarded when he performed the Telemann's viola concerto in G (orchestra scores donated by Rachel Barton Pine Foundation) with the prestigious MSO in MUSON Centre, Lagos. The knock-on effect has been invitation from President of English Viola Society, Louise Lansdown (Associate professor of viola, Royal Northern College of Music, Manchester) during the launching of the English Viola Society in April, 2008. In late 2007, he was also appointed to be the Orchestra/ Band Leader of the Choir and Orchestra of his Church (Christ Apostolic Church). Success has however, not gone to the head of this self motivated and enthusiastic Nigerian violist. He is seriously working on more standard viola pieces, teaching and assisting young classical instrumentalists. He hopes to see talented Nigerians making a global impact in the area of classical music performance and composition making use of the local tunes as the theme and developing the art of string playing all over Nigeria. His dream is to see a new Nigeria in which there would be various state symphony orchestras. Titus has worked with various musical groups (Golden String Quartet, City Chorale, De Lamp String Quartet) in Nigeria and has been inspired, encouraged and supported by both local and international violists and musicians. "I almost lost interest in viola when the viola I was playing got spoilt. But thanks to Rachel Barton Pine an American foremost violinist that came to rescue me. She told me to send it down to USA for repair. I sent it without the case and was repaired and sent to me in a wonderful case." It is highly worthy to note that his personal viola was given as a gift to him by Rachel Barton Pine Foundation (Chicago, USA) and Mr. Peter Serman He is presently in South Africa studying audio engineering at SAE Institute and. would be studying privately with Marina Louw in Cape Town as he would like to perform pieces like Stamitz , Hindermith viola concerto and some of the Bach Suites. He is also planning to study music education (viola major) and composition at the University of Cape Town. |
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Poland
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Having completed her musical education at the Higher School of Music in Krakow she went on to participate in complementary master classes in Warsaw under Stefan Kamasa and in Munich under Kim Kashkashian.
She has performed at numerous Polish Festivals, among others, Poznanska Wiosna Muzyczna, Spotkania Muzyczne w Baranowie Sandomierskim, Dni Kompozytorów Krakowskich. She has been performing for both Polish and international audiences. Her performances abroad took place in Austria, the Czech Republic, England, Germany, Hungary, Italy, Russia, the Slovak Republic, Switzerland and the USA. She has also made TV and radio recordings in Poland, Austria, Germany, Vatican and USA. She has recorded CDs with Sonatas of J.B.Vanhal (AP Classic) also music of Rachel Knobler and Robert Fuchs (Acte Prealable). With the consent of the Composer she has arranged the Preludia taneczne (Dance preludes) of Witold Lutoslawski for viola (in original for clarinett and piano). The first time the transcription was presented in Munich in the year 1992. The piano part was played by Mariusz Sielski. She has issued scores in Poland (PWM) and Germany (Editio Alto). She has published in Ruch Muzyczny and Muzyka 21. She has written the biogram of Rachel Knobler for the Polish Composers Lexicon 1918-2000. Boguslawa Hubisz-Sielska sits on the jury panels of the national (Krakow 1979) and international competitions (Castellana Grotte/Bari 2004, 2006, 2008). Her recording of the Niggun and Elegy of Rachel Knobler was presented in the Broadcasting Princeton (2005, 2006) as a Classical Discoveries. She is the founder-member of the Artistic-Association Muzyka Centrum, and a member of the German Section of the International Viola Society. She is a senior teacher at the Academy of Music in Cracow, her students are working and performing in Poland as well as in Spain, Germany and Italy. She has been the head of The Lutoslawski Conservatory of Cracow since the year 2001. |
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South Africa
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Hester Wohlitz, violist, conductor and teacher studied violin and viola with Professor Alan Solomon at the Conservatory of Music in Pretoria from 1972 to 1975. In 1975 and 1978 she was selected to join the National Youth Orchestra of South Africa. She holds an A Diploma in violin and viola, and a teacher's licentiate in piano from the University of South Africa (UNISA); in 2008, she became a qualified Suzuki teacher by completing a 6-year Suzuki teaching course (violin and viola) with Christophe Bossuat from the European Suzuki Association.
As a conductor, Hester attended numerous conductors' master classes, a.o. under the leadership of Karl Österreicher (Vienna). She has directed the Tshwane Youth Symphony Orchestra since its foundation in 1979 and conducted the Northern Transvaal Youth Orchestra in the years 1988 to 1995. In the late 1990s, Hester was approached by representatives from the music community in Atteridgeville township, outside Pretoria. The children in the township were in dire need of instruments and teachers. This marked the beginning of Hester's developmental commitment. Instruments were donated by many foreign embassies and Hester travelled into Atteridgeville on a weekly basis to teach. Hester's work has since grown to include other townships, and the movement has grown to include many former students, who now in turn are active as teachers. In 2002 she was engaged to work in Shoshanguve township through the Unisa Music Foundation. Hester's success stories are many, her viola ensemble is renowned for its exceptional skill, and her great love for the viola as solo and chamber instrument has inspired many students to successful professional careers. Today Hester's young viola players form the core of the viola sections of the MIAGI Youth Orchestra and of the South African National Youth Orchestra. In 2004, Hester founded the South African Viola Society and is currently President of the Society. She attended the International Viola Congresses in New Zealand (2001), Kronberg, Germany (2003), Minneapolis, USA (2004), Montreal, Canada (2005) Adelaide, Australia (2007) and Arizona, USA (2008, and was awarded the bid for the 37th International Viola Congress to be held in South Africa. |
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Spain
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Luis Magín is one of the most promising Spanish string players of his generation. He is professor of viola at CONSMUPA www.consmupa.es and President of the Spanish Viola Society AESAV www.aesav.com where he develops an intense activity in the areas of teaching, performing and researching. The endorsement of the critics and the results obtained by his students, reveals him as one of the most attractive pedagogical figures of the present time. He has won Several prizes in National and International Competitions "Solistas of the Principality of Asturias" 1998; Diploma D'Onore at "Torneo Internazionale di Musica" 1998; Silver medal at the "International Villa de Sahagún Competition" 1997; First Viola Prize at CONSMUPA in 1993; First Prize at Chamber Music Competition "Angel Muñiz Toca" 1993.
His technical command and musicality has inspired to numerous Spanish composers who have written works for him, such Jorge Muñiz, Juan Cué, Ximo Cano or Salvador Brotons. Luis Magín has performed solo together with the JONDE, Yale Chamber Players, Orchestra de Cámara Galega, Symphony Orchestra of the CONSMUPA and the Iberian Chamber Orchestra, doing the world premiere of the Concert for viola and Orchestra by Salvador Brotons. He has recorded for the seals RTVE and Several Record, with a great welcome of the critics. He masters an extensive repertoire for the viola and he is a specialist in the interpretation of Spanish music for viola. The pedagogical experience of Luis Magín, discloses him as one of the most demanded Viola Professors nowadays. Luis has been professor at the Superior Conservatory of Music of La Coruña and at the present time he is a permanent member of the string faculty at CONSMUPA, leading one of the most prestigious viola studios in the country. His pedagogical reputation makes him been recognized abroad and he has been invited to give Master classes at Cangas de Onís, Conservatory of Avila, Salamanca, Segovia, Guernika, Calahorra, JOSPA, the EuroArts Music Festival in Leipzig, Four Season Chamber Music Festival in North Carolina, the University of Michigan, East Carolina University, University of Florida, the Peabody School of Music in Baltimore, the RNCM in Manchester and Royal Conservatory of Aarhus in Denmark, to name a few. Luis Magín collaborates in several research projects in the areas of acoustics and viola pedagogy, displayed at the International Congress of Acoustics (Barcelona, September 2007). His recent research about the pedagogical work for viola by Francisco Fleta, has reported him the Diploma of Advance Studies in Musicology by the University of Oviedo. He holds a Bachelor degree at the CONSMUPA and a Master and Artist Diploma at Yale University. He has received an intense academic instruction gathering the influences and advices of eminent figures of the viola such Wieslaw Rekucki, Daniel Benjamini, Yuri Yurov and Jesse Levine among others. |
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Sweden
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Henrik Frendin is known as one of the most versatile and progressive string players of the Swedish music scene. His artistical output covers a wide range of musical genres from classical to contemporary electro-acoustical and modern jazz.
He studied at The Royal Danish Conservatory with professor Josef Kodousek and graduated with soloist diploma in 1989. At that time he had already a principal seat in the Danish National Symphony Orchestra. In 1991 Henrik Frendin left the orchestra and began a life as soloist and chamber musician managed by the Swedish Concert Institute. This led to numerous concerts and radio recordings in Sweden and abroad. At the same time he started to teach at the Malmö Academy of Music where he is now Head of Strings. He has given master classes at the Guildhall School of Music in London, University of Californa Santa Barbara, Sibelius Academy in Helsinki and National Music Academy of Mexico City amongst others. He has appeared as soloist with several of the Swedish orchestras as well as the European Union Chamber Orchestra and has toured extensively in most of the European countries, Asia, North- and South America. He was also invited to perform at the International Viola Congresses in Wellington, New Zeeland, Kronberg, Germany and Montreal, Canada. |
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Switzerland
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Born in Minsk, Viacheslav Dinerchtein emigrated to Mexico in 1991. He has appeared as a soloist with orchestra as well as in recitals throughout the USA, Canada, Mexico and much of Latin America, including venues such as the Kennedy Center (Washington DC), Carnegie Hall (NY), Palacio de Bellas Artes (Mexico City), among others. He has been a guest performer of the International Viola Congresses and a diversity of music festivals - Bach International Festival (Peru), Niagara Music Festival (Canada), Spoleto Music Festival (Italy), Camarissima Music Festival (Mexico City), Otono Internacional (Mexico City), and numerous others. He has acted as a soloist of the U.S. State Department. Collaborated with noted Curtis Institute professor Victor Danchenko in performing and recording duets for violin and viola. Premiered William Primrose's transcription of Bartok's 44 Duets for Two Violins with Prof. Roland Vamos.
Dinerchtein is a dedicatee of several compositions winners of important competitions for composers. Has been featured in TV and Viacheslav Dinerchtein studied mostly with his father, Boris Dinerchtein. He went on to continue his training with Joseph de Pasquale (Masters / Peabody Conservatory) and Roland Vamos (Doctorate and teaching assistant / Northwestern University; diss. on |
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![]() Gilad Karni |
Gilad Karni is currently Principal Violist of the Tonhalle Orchestra Zurich, a post he was appointed to in 2004 by David Zinman. Prior to his tenure there, he was Principal Viola for two years at the Deutsche Oper Berlin. Karni's vast orchestra experience ranges from being the youngest member of the New York Philharmonic, which he joined in 1992, to Principal Viola positions of the Bamberg Symphony Orchestra, a post he held between 1996-2002, and the Rishon Le-Zion Symphony Orchestra in Israel.
In Berlin, Karni is in demand as guest Principal with such orchestras as the Berlin Staatskapelle under Daniel Barenboim, the Berlin In addition to his orchestral career, Karni is also an active soloist and chamber musician, appearing at many of the world's great Gilad Karni has left his mark on many international viola competitions, winning First Prize in the Lionel Tertis International 2011-2012 season is a sabbatical season for Karni, with solo performances, appearances at festivals, and giving master classes A scholarship recipient of The America Israel Cultural Foundation (1985-1991), and an alumnus of the Manhattan School of Music, Gilad |
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United Kingdom
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Louise Lansdown is Senior Lecturer in the School of Strings at the Royal Northern College of Music in Manchester, and holds part-time teaching positions at the University of Manchester and Junior RNCM. She has been involved with Pro Corda, the International Chamber Music Academy at Leiston Abbey in Suffolk, since 1999, teaching on the Intermediate, North, Primary and Junior Courses, and Directing the former from 2005-2008. Louise was appointed Director of Chamber Music at Pro Corda as well as both the Senior and North courses in 2008.
Louise is the founder and President of the English Viola Society, started in September 2007, and was appointed Acting Vice-President of the International Viola Society in July 2009 during the 37th International Viola Congress held in South Africa. Louise has attended international viola congresses in Glasgow, Kronberg, Iceland and performed and delivered papers at congresses in Adelaide (2007), Arizona (2008) and South Africa (2009). Louise was also a member of the jury for the Fifth Melbourne International Chamber Music Competition in 2007. Louise is the Artistic director of the annual RNCM Viola Day. Louise's greatest musical influences have been Jack de Wet, Eric Rycroft, Lamar Crowson, Alan George, Thomas Riebl, Chris Rowland, Gabor Takacs-Nagy, members of the Ysaye Quartet and Milan Skampa. She holds a B. Mus, B. Mus (Hons) (with distinction in Performance) and M. Mus from the University of Stellenbosch, South Africa. In 1998 Louise was awarded the ABRSM Overseas Scholarship to study at the Royal Northern College of Music. She graduated with a Postgraduate Diploma in Performance in 1999, Master of Music in Performance and Teacher's Licentiate in 2000, all with Distinction in Performance. In 2000 she was also awarded a Junior Fellowship in Chamber Music at the RNCM along with the Rachel Godlee Prize for Viola. Louise was a member of the Yeomans Quartet at the RNCM from 1998-2001, giving recitals around the UK, Europe and South Africa, as well as recording Haydn and Sullivan quartets. She has been closely involved with the annual RNCM Chamber Music Festivals, founded by Dr. Christopher Rowland in 1999, performing and helping to oversee performances of the complete chamber music of Haydn, Beethoven, Schubert, Mendelssohn, Brahms, Shostakovich, 20th century quartets and many more. She is an avid chamber musician and performs in every spare moment! Louise was awarded a PhD from the University of Manchester in 2008 with the title: 'The Young Paul Hindemith: Life, Works, Relationships, Influences and Musical Activities until 1922.' She plays on a French instrument made around 1750, previously belonging to Cecil Aronowitz (first Head of Strings at the RNCM), who she is planning to write a biography on. |
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USA
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Recently featured as a "Face to Watch" in the Los Angeles Times, Nokuthula Ngwenyama's performances as Ms. Ngwenyama came to international attention when she won the Primrose International Viola Competition This season Ms. Ngwenyama was chosen for the coveted Duncanson Artist-In-Residence at the Taft Ms. Ngwenyama has performed throughout the United States and abroad. Domestic appearances include Ms. Ngwenyama is no stranger to television and radio appearances. Her performance at the White House, As an educator Ms. Ngwenyama has served as visiting professor at the University of Notre Dame and |
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Anna Brooker













